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Hyperallergic, “6 New Art Shows to Close out your May” Hrag Vartanian, Daniel Larkin, Ela Bittencourt, May 2024 

Whitehotmagazine, “Jamie Martinez: The Shadow of Colonialism at Ghostmachine”, Jonathan Goodman, May 2024

Art Observed, “Jamie Martinez: The Shadow of Colonialism at Ghostmachine”,  June, 2024

Cultbytes, “The Shadow of Colonialism”, Mark Bloch, June 2024

Art Spiel, “Yasmeen Picks for June”, Yasmeen Abdallah, June 2024

Tussle Magazine, “Invisible Hands at 601 Artspace”, Stephen Gambello, August 2023

Cultbytes, “The significance of Domestic Labor,” Elizabeth Hazard, August 2023

Quiet Lunch, “The Standout Booths at Spring Break Art Show 2022 and Their Artists/Curators” Sept 2022

Cultbytes, “5 Booths to Watch at Spring/Break Art Show’s 2022 New York Edition,” Lily Williams, Sept 2022

Hyperallergic, With a Medieval Flair, Spring Break Art Show Celebrates the Eccentric, Hrag Vartanian, Sept 2021

Whitehot Magazine, Last Wash at Midnight at The Border Project Space + Home Gallery, March 2021

YouTube, Live guided talk by curator Charlene Stevens with David Rios Ferreira and Jamie Martinez discussing their work featured in the exhibition CURRENT | UNDERCURRENT at UMass Amherst, March 2021

Art Spiel, “On the Beauty of Collaboration – The Border and Home Gallery Co-Exhibition “Last Wash at Midnight,” Adam Aslan, May 2021

ABC Latino  Magazine, Cover Image, March 2021

Ante, “Last Wash at Midnight Cleans House: Exhibition Review, The Border Project Space/ Home Gallery,” March 2021

Yale University wybcx radio, Interview by Brainard Carey, October 2019.

Vogue (article was censored and removed), “Kind of Green”  at Yi Gallery curated by Cecilia Yueyi, June 2019

Whitehot Magazine, “Speculative Cultures: A Virtual Reality Exhibition” at Parsons, Jonathan Goodman, April 2019.

No 3 Mag, “Death is a Shamanistic Trip That You Can Withdraw From,” Tansy Xiao, April 2019.

Hyperallergic, Best of 2018: Our Top 15 Brooklyn Art Shows: Hrag Vartanian, Dec 2018.

Medium, Residências artísticas do Brooklyn abrem as portas para artistas brasileiros,” May 2019.

Art Spiel, “Color Matters at Galerie Richard,” Sharilyn Neidhardt, November 2018.

Hamptons Art Club, “Liminality and Mind-State Journeys Explored at The Border,” Jonathan Goodman, October 2018.

Ante Magazine, Good Fences Make Intricate Neighbors: The Border and Galerie Protege Team Up To Wide Acclaim,” Alison Martin, June 1018.

Quiet Lunch, “Limitless Potential: Liminality at The Border,” Audra Lambert, September 2018.

ArtZealous, Meet Jamie Martinez the Artist Supporting Talented Immigrant Artists,” Chandler Mirkovic, July 2018.

Untitled Magazine, Artists Suejin Jo and Jamie Martinez on the Allure of the Triangle,”  Alexandra Pauly, May 2018.

AM New York, “The Border is open to immigrants’ artwork ‘in support of multiplicity,” Shae Weaver, March 2018.

The Observer, “This Artist Threw a Party Where Immigrants Could Express Their Anger,” Margarett Carrigan, February 2018.

The Daily Beast, “One Year Into Trump’s Presidency, Artists Are Still Fired Up,” Sarah Rogers, Jan 2018.

Artslife, “Analog vs. Digital at Foley Gallery,” by Alison Martin, May 2017.

New York Magazine, “This exhibition is raising money for women to run for office,” June 2016.

News Week, “NYC Art Exhibit Responds to ‘2016 Presidential Election Charad,” by Stav Siv,  May 2016.

Whitehot Magazine, “#makeamericagreatagain curated by Raul Zamudio and Juan Puntes and Bianca de la Torre, Feb 2016.